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Mixing Live 5.1 Surround Sound for a 3D HD Video Remote


Mixing Live 5.1 Surround Sound for a 3D HD Video Remote
In an audio first, a musical performance was remotely projected in 3D high definition video and mixed live on a film theatre's 5.1 surround sound system.
REAL D demonstrates live remote 3D HD video with 5.1 surround sound
Author profile: AMMP Recording Services
32 track HD Pro Tools Recording Studio, Live Sound Reinforcement, Remote Recording, Television/Film Location Sound, ENG/EFP Audio Services for Florida productions.


Live 3D High Definition at Showeast 2006

October 25, 2006 - Real D , a pioneer in live 3D video projection systems, has demonstrated the remote live event capabilities of it's 3D High Definition video camera for ShowEast attendees at the AMC 24 Theatre in Lake Buena Vista, Florida.  Live music and sporting events presented in 3D High Definition and surround sound may be in your local theatre as soon as the summer of 2007.

reald_3d_hd_video_camera
Photograph provided by Stuart Hall.

The twin Sony Cinealta 950 digital cameras were located street side on dolly tracks, shooting a musical performance by "Sound Factory", an Orlando percussion trio that performs on drum kit, plastic tubes and trash cans ala the Blue Man Group. 


reald_3d_hd_video_camera2
Photograph provided by Stuart Hall.

AMMP Recording Services was called on October 24th to provide live 5.1 surround sound in the film theatre, a multi-track record for historical archive, and live sound reinforcement on the street stage.  That evening  audio systems were designed and built on customized field production carts to expedite the audio set-up.  At 5 a.m on the 25th, AMMP audio techs Nils Warren and Frank Rohrer loaded the gear into the AMC Theatre for a 7 a.m. rehearsal and an 8:30 a.m. show.
reald_3d_hd_video_preview
Photograph provided by Stuart Hall.

Live Band Surround Sound


The sound of the percussion instruments and surrounding ambience was captured using an assortment of DPA and Sennheiser microphones. 

All of the audio inputs were patched into Tascam MA-AD8 preamps and actively split to the band's monitor system, to a Tascam MX2424 track hard disc recorder and to a Telecast fiber optic system.  The video program and 24 audio inputs were transmitted over 1500 feet of fiber into Downtown Disney's AMC Theatre #19 where it interfaced with the theatre's existing projection and surround sound systems.
Input
Microphone
Input
Microphone
Kick
Sennheiser E421
Xylo Tubes Left
DPA 4006
Snare
DPA 4011
Xylo Tubes Right
DPA 4006
Hat
DPA 4023
Trash Cans Left
DPA 4091
Rack 1
DPA 4023
Trash Can Right
DPA 4091
Rack 2
DPA 4023
Surround Back LT
DPA 4091
Floor
DPA 4023
Surround Back RT
DPA 4091
Overhead Left
DPA 4028
Stage Wireless
Shure UHB Beta 58
Overhead Right
DPA 4028
Theatre Wireless
Shure UHB Beta 58
Tube Tree Left
DPA 4035
Tube Tree Right
DPA 4035

Frank Rohrer mixed Sound Factory's stage monitors on a 16 channel mixer by routing a prefader auxiliary buss to 1/3 octave equalizers and into the band's JBL EONS.

Mixing for Surround Sound

AMMP's prewired audio system was rolled into the theatre on electronic field production (EFP) carts.  Nils Warren reproduced the band's live performance inside the movie theater using a 24 channel console that fed the theatre's Dolby 5.1 surround sound system.

Front Left
Kick
Hi-Hat
Overhead LT
Tube Tree LT
Tube Xylophone LT
Trashcan Frt LT
Center
Host Mic
Snare
Rack Tom2

SubwooferKick

Front RightKick
Hi-Hat
Overhead RT
Tube Tree RT
Tube Xylophone RT
Trashcan Frt RT

Left Rear
Rack Tom1
Overhead LT
Tube Tree LT
Trashcan Bk LT

Right Rear
Floor Tom
Overhead RT
Tube Tree RT
Trashcan Bk RT


You can read more about this 3D High Definition Video remote in The Hollywood Reporter: Live 3-D Events Get Sneak Peek  and there is more on the future of this technology in Reuters: Movie theaters aim for live 3D sports .
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